Diane Arbus

Susan Sontag’s On Photography

“Smooth and Striated Space” and “Rhizome” by Gilles Deleuze and Felix Guattari” in A Thousand Plateaus

William Flusser’s Towards A Philosophy of Photography

Mise en abyme

‡  Homi K. Bhabha on ‘hybridity and ‘moving beyond’

Sophia Widmann

‡ Boteva-Richter,Bianca. (2015). “Wie viel Heimat braucht der Mensch? Heimat und Heimatlosikeit in und durch Migration” Concoridia, Journal of Philosophpy. No. 68, Vienna.

‡ Haraway, Donna (1985) Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980’s; Socialist Review. No. 80, p. 65-108

‡ Harari, Yuval Noah (2019). 21Llessons for the 21st Century. Spiegel & Grau, New York Kallhof, Angelika: Politische Philosophie des Bürgers; Boehlau Verlag; Wien 2013

‡ Luhmann, Niklas (2017). Die Realität der Massenmedien; Springer VS; Leipzig

‡ Massumi, Brian (2015). Ontopower: War, Powers and the State of Perception. Duke University Press

‡ Menninng, Erin (2016). The Minor Gesture. Duke University Press; Durham & London

‡ Mulvey, Laura (1985). Visual Pleasure and Narrative Cinema; in: Bill Nichols (Hg.): Movies and Methods; University of California Press, Berkeley Los Angeles

‡ Nussbaum, Martha (2000). Women and Human Development. The Capabilities Approach. Cambridge   Press, Cambridge.

Marwa Manai

‡ Malkin, J. (1992). Frontmatter. In Verbal Violence in Contemporary Drama: From Handke to Shepard (pp. I-Viii). Cambridge: Cambridge University Press.

‡ Lehmann, Hans-Thies. (2006). Postdramatic theatre. London ; New York :Routledge.

‡ Eagleton, Terry (2003). Sweet Violence, the Idea of the Tragic. Oxford: Blackwell Publishing.

‡ Fischer-Lichte, E., & Arjomand, M. (2014). The Routledge introduction to theatre and performance studies. Abingdon, Oxon ; New York: Routledge.

‡ Tracy C. Davis, Thomas Postlewait, Davis Tracy C. (2003) Theatricality. Cambridge University Press.

‡ Shepherd, Simon and Mick Wallis (2005). “Drama/Theatre/Performance”. Ed. Boenisch, P. London and New York: Routledge. pp. 262. Theatre Research International, 30 (3), 306-307.

‡ Boulton, M. (1960). The Anatomy of Drama (Routledge Revivals). London: Routledge.

‡ Fuchs, Elinor and Una Chaudhuri (2002).  Land/ Scape/ Theatre. The University of Michigan Press, Ann Arbor

‡ Di Benedetto, S. (2010). The provocation of the senses in contemporary theatre. Taylor and Francis. New York: Routledge.

Julia Stern

‡ Böhme, Gernot (2013)  Atmosphäre – Essays zur neuen Ästhetik.  Frankfurt am Main: Suhrkamp.

‡ Lakoff, G. & Wehling, E. (2012). The little blue book: The essential guide to thinking and talking democratic. 1st Free Press Trade Paperback ed.. New York: Free Press

‡ Jullien, François (2017). Es gibt keine kulturelle Identität – Wir verteidigen die Ressourcen einer Kultur. Verlag, Berlin: Suhrkamp.

‡ Postman, Neil (1986). Amusing ourselves to death: Public discourse in the age of show business. New York: Penguin Books.

Younes Ben Slimane

‡ Dominique Gonin Peysson (2014), “What touches us, what we touch : emergent materials to the test of contemporary art : new forms of meetings of sensibility between people and matter”, Arts and Sciences of Art – Mentions Arts Plastiques University Paris 1 Panthéon-Sorbonne, 411 -419

‡ Léon Denis (1893) , After Death, Librairie des sciences, 152-157

‡ N. Sandars (2012), The Epic of Gilgamesh,  Penguin Classics

‡ Mahmoud Messadi (1973),  حدث أبو هريرة قال: عيون معاصرة 

‡ Thomas Mcevilley (2002) , Bernar Venet, Artha, Lyon