Shared
‡ Susan Sontag’s On Photography
‡ William Flusser’s Towards A Philosophy of Photography
‡ Homi K. Bhabha on ‘hybridity and ‘moving beyond’
Sophia Widmann
‡ Boteva-Richter,Bianca. (2015). “Wie viel Heimat braucht der Mensch? Heimat und Heimatlosikeit in und durch Migration” Concoridia, Journal of Philosophpy. No. 68, Vienna.
‡ Haraway, Donna (1985) Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980’s; Socialist Review. No. 80, p. 65-108
‡ Harari, Yuval Noah (2019). 21Llessons for the 21st Century. Spiegel & Grau, New York Kallhof, Angelika: Politische Philosophie des Bürgers; Boehlau Verlag; Wien 2013
‡ Luhmann, Niklas (2017). Die Realität der Massenmedien; Springer VS; Leipzig
‡ Massumi, Brian (2015). Ontopower: War, Powers and the State of Perception. Duke University Press
‡ Menninng, Erin (2016). The Minor Gesture. Duke University Press; Durham & London
‡ Mulvey, Laura (1985). Visual Pleasure and Narrative Cinema; in: Bill Nichols (Hg.): Movies and Methods; University of California Press, Berkeley Los Angeles
‡ Nussbaum, Martha (2000). Women and Human Development. The Capabilities Approach. Cambridge Press, Cambridge.
Marwa Manai
‡ Malkin, J. (1992). Frontmatter. In Verbal Violence in Contemporary Drama: From Handke to Shepard (pp. I-Viii). Cambridge: Cambridge University Press.
‡ Lehmann, Hans-Thies. (2006). Postdramatic theatre. London ; New York :Routledge.
‡ Eagleton, Terry (2003). Sweet Violence, the Idea of the Tragic. Oxford: Blackwell Publishing.
‡ Fischer-Lichte, E., & Arjomand, M. (2014). The Routledge introduction to theatre and performance studies. Abingdon, Oxon ; New York: Routledge.
‡ Tracy C. Davis, Thomas Postlewait, Davis Tracy C. (2003) Theatricality. Cambridge University Press.
‡ Shepherd, Simon and Mick Wallis (2005). “Drama/Theatre/Performance”. Ed. Boenisch, P. London and New York: Routledge. pp. 262. Theatre Research International, 30 (3), 306-307.
‡ Boulton, M. (1960). The Anatomy of Drama (Routledge Revivals). London: Routledge.
‡ Fuchs, Elinor and Una Chaudhuri (2002). Land/ Scape/ Theatre. The University of Michigan Press, Ann Arbor
‡ Di Benedetto, S. (2010). The provocation of the senses in contemporary theatre. Taylor and Francis. New York: Routledge.
Julia Stern
‡ Böhme, Gernot (2013) Atmosphäre – Essays zur neuen Ästhetik. Frankfurt am Main: Suhrkamp.
‡ Lakoff, G. & Wehling, E. (2012). The little blue book: The essential guide to thinking and talking democratic. 1st Free Press Trade Paperback ed.. New York: Free Press
‡ Jullien, François (2017). Es gibt keine kulturelle Identität – Wir verteidigen die Ressourcen einer Kultur. Verlag, Berlin: Suhrkamp.
‡ Postman, Neil (1986). Amusing ourselves to death: Public discourse in the age of show business. New York: Penguin Books.
Younes Ben Slimane
‡ Dominique Gonin Peysson (2014), “What touches us, what we touch : emergent materials to the test of contemporary art : new forms of meetings of sensibility between people and matter”, Arts and Sciences of Art – Mentions Arts Plastiques University Paris 1 Panthéon-Sorbonne, 411 -419
‡ Léon Denis (1893) , After Death, Librairie des sciences, 152-157
‡ N. Sandars (2012), The Epic of Gilgamesh, Penguin Classics
‡ Mahmoud Messadi (1973), حدث أبو هريرة قال: عيون معاصرة
‡ Thomas Mcevilley (2002) , Bernar Venet, Artha, Lyon