{"id":235,"date":"2020-03-23T15:11:49","date_gmt":"2020-03-23T14:11:49","guid":{"rendered":"https:\/\/theoctopusprogramme.uni-ak.ac.at\/?page_id=235"},"modified":"2020-06-14T16:16:00","modified_gmt":"2020-06-14T15:16:00","slug":"references-links","status":"publish","type":"page","link":"https:\/\/theoctopusprogramme.uni-ak.ac.at\/index.php\/references-links\/","title":{"rendered":"REFERENCES\/LINKS"},"content":{"rendered":"\n
<\/div>\n\n\n\n

Shared<\/h4>\n\n\n\n

\u2021 Diane Arbus<\/a><\/p>\n\n\n\n

\u2021 Susan Sontag\u2019s On Photography<\/em><\/a><\/p>\n\n\n\n

\u2021 \u201cSmooth and Striated Space” and “Rhizome” by Gilles Deleuze and Felix Guattari\u201d in A Thousand Plateaus <\/em><\/a><\/p>\n\n\n\n

\u2021 William Flusser\u2019s Towards A Philosophy of Photography <\/em><\/a><\/p>\n\n\n\n

\u2021 Mise en abyme<\/a><\/p>\n\n\n\n

\u2021  Homi K. Bhabha on \u2018hybridity and \u2018moving beyond\u2019 <\/em><\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

Sophia\nWidmann<\/h4>\n\n\n\n

\u2021 Boteva-Richter,Bianca. (2015). \u201cWie viel Heimat braucht der Mensch? Heimat und Heimatlosikeit in und durch Migration\u201d Concoridia, Journal of Philosoph<\/em>py. No. 68, Vienna.<\/p>\n\n\n\n

\u2021 Haraway, Donna (1985) Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980’s; Socialist Review<\/em>. No. 80, p. 65-108<\/p>\n\n\n\n

\u2021 Harari, Yuval Noah (2019). 21Llessons for the 21st Century. Spiegel & Grau, New York Kallhof, Angelika: Politische Philosophie des B\u00fcrgers; Boehlau Verlag; Wien 2013<\/p>\n\n\n\n

\u2021 Luhmann, Niklas (2017). Die Realit\u00e4t der Massenmedien; Springer VS; Leipzig <\/p>\n\n\n\n

\u2021 Massumi, Brian (2015). Ontopower: War, Powers and the State of Perception<\/em>. Duke University Press <\/p>\n\n\n\n

\u2021 Menninng, Erin (2016). The Minor Gesture<\/em>. Duke University Press; Durham & London <\/p>\n\n\n\n

\u2021 Mulvey, Laura (1985). Visual Pleasure and Narrative Cinema; in: Bill Nichols (Hg.): Movies and Methods; University of California Press, Berkeley Los Angeles<\/p>\n\n\n\n

\u2021 Nussbaum, Martha (2000). Women and Human Development.<\/em> The Capabilities Approach.<\/em> Cambridge   Press, Cambridge.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Marwa\nManai<\/h4>\n\n\n\n

\u2021 Malkin, J. (1992). Frontmatter. In Verbal Violence in Contemporary Drama: From Handke to Shepard<\/em> (pp. I-Viii). Cambridge: Cambridge University Press.<\/p>\n\n\n\n

\u2021 Lehmann, Hans-Thies. (2006). Postdramatic theatre. London ; New York :Routledge.<\/p>\n\n\n\n

\u2021 Eagleton, Terry (2003). Sweet Violence, the Idea of the Tragic.<\/em> Oxford: Blackwell Publishing.<\/p>\n\n\n\n

\u2021 Fischer-Lichte, E., & Arjomand, M. (2014). The Routledge introduction to theatre and performance studies<\/em>. Abingdon, Oxon ; New York: Routledge.<\/p>\n\n\n\n

\u2021 Tracy C. Davis, Thomas Postlewait, Davis Tracy C. (2003) Theatricality.<\/em> Cambridge University Press.<\/p>\n\n\n\n

\u2021 Shepherd, Simon and Mick Wallis (2005). \u201cDrama\/Theatre\/Performance\u201d. Ed. Boenisch, P. London and New York: Routledge. pp. 262. Theatre Research International,<\/em> 30 <\/em>(3), 306-307. <\/p>\n\n\n\n

\u2021 Boulton, M. (1960). The Anatomy of Drama<\/em> (Routledge Revivals). London: Routledge.<\/p>\n\n\n\n

\u2021 Fuchs, Elinor and Una Chaudhuri (2002).  Land\/ Scape\/ Theatre. <\/em>The University of Michigan Press, Ann Arbor<\/p>\n\n\n\n

\u2021 Di Benedetto, S. (2010). The provocation of the senses in contemporary theatre<\/em>. Taylor and Francis. New York: Routledge.<\/p>\n\n\n\n

Julia\nStern<\/h4>\n\n\n\n

\u2021 B\u00f6hme, Gernot (2013)  Atmosph\u00e4re – Essays zur neuen \u00c4sthetik<\/em>.  Frankfurt am Main: Suhrkamp.<\/p>\n\n\n\n

\u2021 Lakoff, G. & Wehling, E. (2012). The little blue book: The essential guide to thinking and talking democratic. <\/em>1st Free Press Trade Paperback ed.. New York: Free Press<\/p>\n\n\n\n

\u2021 Jullien, Fran\u00e7ois (2017). Es gibt keine kulturelle Identit\u00e4t – Wir verteidigen die Ressourcen einer Kultur. <\/em>Verlag, Berlin: Suhrkamp.<\/p>\n\n\n\n

\u2021 Postman, Neil (1986). Amusing ourselves to death: Public discourse in the age of show business<\/em>. New York: Penguin Books.<\/p>\n\n\n\n

Younes Ben Slimane<\/h4>\n\n\n\n

\u2021 Dominique Gonin Peysson (2014), “What touches us, what we touch : emergent materials to the test of contemporary art : new forms of meetings of sensibility between people and matter”, Arts and Sciences of Art – Mentions Arts Plastiques<\/em> University Paris 1 Panth\u00e9on-Sorbonne, 411 -419<\/p>\n\n\n\n

\u2021 L\u00e9on Denis (1893) , After Death<\/em>, Librairie des sciences, 152-157<\/p>\n\n\n\n

\u2021 N. Sandars (2012), The Epic of Gilgamesh<\/em>,  Penguin Classics<\/p>\n\n\n\n

\u2021 Mahmoud Messadi (1973),  \u062d\u062f\u062b \u0623\u0628\u0648 \u0647\u0631\u064a\u0631\u0629 \u0642\u0627\u0644: \u0639\u064a\u0648\u0646 \u0645\u0639\u0627\u0635\u0631\u0629 <\/p>\n\n\n\n

\u2021 Thomas Mcevilley (2002) , Bernar Venet<\/em>, Artha, Lyon<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Shared \u2021 Diane Arbus \u2021 Susan Sontag\u2019s On Photography \u2021 \u201cSmooth and Striated Space” and “Rhizome” by Gilles Deleuze and Felix Guattari\u201d in A Thousand Plateaus \u2021 William Flusser\u2019s Towards A Philosophy of Photography \u2021 Mise en abyme \u2021  Homi K. Bhabha on \u2018hybridity and \u2018moving beyond\u2019 Sophia Widmann \u2021 Boteva-Richter,Bianca. (2015). \u201cWie viel Heimat … <\/p>\n

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